By Donald Preziosi
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Additional resources for Minoan Architectural Design: Formation and Signification
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On this floor the plan of rooms would most likely have followed that of the ground floor, although the thinner wall separating cells 2 and 3 may indicate either no partition at the second storey above, or a wooden column or two rather than a wall proper. As mentioned above, cell 1 may not have been roofed over; at any rate no trace remains of foundation supports for internal columns or piers. Cell 1 may thus have consisted of an interior courtyard roughly 17 units square, which would serve to increase the ventilation and lighting of the peripheral cells: judging from evidence elsewhere, Minoan buildings tended to have fewer (and smaller) exterior windows on their ground floors than on upper storeys, no doubt for reasons of security and privacy.
Both have an identical structural framework pattern of walls and cells, the major difference between the two being the mirror reversal of the layout. As noted above (and explored in detail in Part Two) the modular organizations of the two buildings are also similar. It would seem that we are dealing here with some type of standard pattern common to these two structures (of different size and, more significantly, of different basic function), and we may well imagine this 'square-within-a-square' pattern as one of a series of standard pattern-book designs employed by Minoan designers 20 Introduction for a variety of purposes.
In addition, there is strong evidence for the fact that Minoan buildings were highly colorful, particularly on the inside. The new evidence of wall painting from Thera indicates that the Minoans painted almost any conceivable interior surface — walls, ceilings, floors, door jambs and window sills — in bright, contrastive colors, with figured scenes and/or geometric decoration. This decoration, moreover, does not seem to be confined to great mansions and 'palaces', but is characteristic of relatively modest houses.