By Shoens K.
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2010. Creative Labour: Media Work in Three Cultural Industries. Abingdon and New York: Routledge. van Heur, B. 2009. The clustering of creative networks: between myth and reality. Urban Studies, 46(8), 1531–1552. Howkins, J. 2001. The Creative Economy: How People Make Money From Ideas. New York: Penguin. Notes for a research programme 19 Hughes, A. 1990. The cave and the stithy: artists’ studios and intellectual property in early modern Europe. Oxford Art Journal, 13(1), 34–48. Hutchins, E. 1995.
What is creativity? In: Boden, M. A. , Dimensions of Creativity. Cambridge, MA and London: MIT Press, pp. 75–118. Born, G. 1995. Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical avant-garde. Berkeley: University of California Press. Born, G. 2010. The social and the aesthetic: for a post-Bourdieuian theory of cultural production. Cultural Sociology, 4(2), 171–208. Bourdieu, P. 1980. The production of belief: contribution to an economy of symbolic goods. Media, Culture & Society, 2(3), 261–293.
1996. Creativity. Flow and the Psychology of Discovery and Invention. New York: Harper Collins. DCMS 1998. Creative Industries Mapping Document. London: Department of Culture, Media and Sport. Dewey, J. 2005 [1934]. Art as Experience. London: Perigee Books. Dubuisson, S. and Hennion, A. 1995. Le design industriel, entre création, technique et marché. Sociologie de l’Art, 8, 9–30. 18 I. Farías and A. Wilkie Farías, I. 2013. Heteronomie und Notwendigkeit. Wie Architekt/innen Wettbewerbsbeiträge entwickeln.