By Sharon Sala
AMELIA by means of DAY
From 9 to 5, she was once Amelia Beauchamp, normal small-town librarian. but if the sunlight went down, she was once miniskirt-clad cocktail waitress Amber Champion. And she'd stuck the attention of the town's largest rake, Tyler Savage. The identify acknowledged all of it -- and this was once one Savage, "Amber" knew, who could by no means have an interest in her if he knew who she quite was once. She needed to continue taking part in the sport . . .
AMBER via NIGHT
Or did she? Tyler, it became out, used to be good conscious that right Amelia and flirtatious Amber have been one and an analogous -- and he used to be having an exceptional previous time enjoying alongside. And as for romantic dinners and lengthy, moonlit nights jointly, particularly, they have been all a part of the sport. one that he had each purpose of becoming truth . . .
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Extra info for Amber by Night (Comic Version)
Rather, Eden was this world’s childhood, where the chaos was organized by naming, by language, and the transgression was more focused. In fact, just as Eve is called the ﬁrst woman, her sin, the ingestion of knowledge, is called the original one. So perhaps it is no accident, after all, that she appears in Genesis and that I have appropriated that name for the ﬁrst section of this study. Notes 1. It turns out my fears had a more sound historical basis than the general ethos of the ’50s. Wonder Woman and I were both born in 1941.
Like Priscilla Rich, Psycho is given a personal—indeed, a psychological—motivation for his villainy. He is a short, notably funny-looking guy (drawn by Harry Peter to resemble his own carica44 genesis ture of Nazi culture and propaganda chief Joseph Goebbels), who, years ago, was deserted by his pretty ﬁancée in favor of a notably handsome man, who also frames Psycho for his crime. The psychologist remains enraged at her choice of masculine beauty over (his) brains and seeks revenge not only on the particular pretty faces that betrayed him, but on all womankind, described by him in contemptuous and degrading terms.
Coexisting with these archvillains is a series of malevolent, woman-hating industrialists and the misogynist shrink Dr. Psycho. Like Priscilla Rich, Psycho is given a personal—indeed, a psychological—motivation for his villainy. He is a short, notably funny-looking guy (drawn by Harry Peter to resemble his own carica44 genesis ture of Nazi culture and propaganda chief Joseph Goebbels), who, years ago, was deserted by his pretty ﬁancée in favor of a notably handsome man, who also frames Psycho for his crime.