By Robert Kirkman
A virus of apocalyptic proportions has swept the globe, inflicting the lifeless to upward thrust and feed at the residing. In a question of months, society has crumbled: there's no executive, no grocery shops, no mail supply, no cable television. In a global governed through the useless, we're compelled to eventually commence residing. This quantity follows our band of survivors as they organize an everlasting camp inside of a jail. Relationships swap, characters die, and our group of survivors study there's whatever way more lethal than zombies in the market: one another.
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Extra resources for The Walking Dead, Volume 3: Safety Behind Bars
Sample text
Use shadows with sharp angles with long faces. Gently curving shadows work well with more typical faces as seen below. 42 e-types have the fewest shadows, with shading solely located at the hair, the nose, and the chin. This works well with clean , cheerful compositions. This combination of e and d shadows can be used to accentuate a particular mood. Forward facing figure using f-type shadows 43 Profile ) a 44 b Expanding the negative space in the direction faced by the figure adds to the effectiveness of e-type shadows.
Backlighting is when the light source is located in back of the subject. Shadow is added to the front of the subject's generating a dramatic mood. Filling in the figure with solid black creates a black silhouette. The key point here is that the eyes were left white. For this figure, tone was attached to the entire face but the eyes, left white. This treatment could be used to suggest flames burning behind the figure or other situations with low lighting. 33 (When to Keep the Face Shadow-Free ) Shadows do not work well on faces when the ima ~:: tiny.
Minimal shadows standard shadow volume 55 Shading the Back Scapula (Shoulder blade) Add shading to the small of the back. Upper left light source 56 e Back of a Jacket figure Upper right light source Special effect: Lower back light source This lighting is suited to dramatic scenes such as scifi related or on the roof of a building. Upper left light source \l ws on sterior Close-ups of a male character's derriere are not common, and shadows are not typically added. 57 The female figure is composed of curves, causing the edges of shadows to curve as well.