Proceedings of the International Conference on Greek by Nancy A. Winter

By Nancy A. Winter

A presentation of the papers from the overseas convention on Classical and Hellenistic Architectural Terracottas, held on the American institution of Classical reviews at Athens, December, 1991. whereas the vast majority of the papers pay attention to architectural terracottas from the Greek mainland, examples from websites at the Aegean islands, Asia Minor, present-day Albania, Sicily, and Italy are lined besides. The papers upload considerably to an realizing of the stylistic improvement of and neighborhood adjustments between Greek architectural terracottas, and, usually, supply clearer reconstructions of differently ill-preserved Greek buildings.

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Proceedings of the International Conference on Greek Architectural Terracottas of the Classical and Hellenistic Periods, December 12-15, 1991

A presentation of the papers from the overseas convention on Classical and Hellenistic Architectural Terracottas, held on the American institution of Classical experiences at Athens, December, 1991. whereas nearly all of the papers be aware of architectural terracottas from the Greek mainland, examples from websites at the Aegean islands, Asia Minor, present-day Albania, Sicily, and Italy are coated in addition.

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6. Sur 1'anglede la sima d'Olympie dite > A. 8:b);162 60 OlForsch V, pp. 126-131, fig. 42-43 et pl. 52; Mallwitz 1972, pp. 251-252, fig. 200. -M. Guimier-Sorbets1990 pour la description des mosaiques. 162 Salzmann 1982, Sikyon 3, n0 118, pp. 11, 18, 25-26 et 112,pl. 20 et 21. PEINTURESET MOSAIQUES TERRESCUITESARCHITECTURALES, 0 1 33 5cm. 2. Argos, Theatre, batiment de scene, sima C. 23841 notons que la technique de la mosaique n'impose pas n~cessairementque le contour des feuillesd'acanthesoit plus exactement<> que dented,car le mosaistea su realiseraussi des feuillesd'acanthe dentees a contourlisse,163et qu'il s'agit, sur la mosaique comme sur la sima, d'un choix de dessinateuret de peintre, a l'originedu carton de l'une et de l'autre.

Rhamnonte, Temple de Nemesis, simas d'egout et de rampant. Iliakis 1976, pp. 245-247, fig. 1-2, pl. 51; Iliakis 1987, pp. 17-20, fig. 4-6, 8, 12. -C. f. Compositions etfleursreliespardestigesenS. * Sounion, Temple d'Ath~naSounias, caissonsdu plafond de la p~ristasis. Dessins de N. J6annitis pour Stais 1899-1900, col. 127-130, pl. 9 a droite. II s'agit a nouveau d'un anthemion inscrit dans un carre. L'edifice, dont une grande partie a e transfereevers la fin du Ier siecle ap. -C. 6:c). 88 D6livorrias 1974, pp.

I1est cependantfrappantde voir a nouveau la ceramiqueattiqueexercerson influence tres pr~cisdes zones sur ce nouvel art de la peinture132quest la mosaique, par des transferts secondairesdes vases aux bordureset bandes des tapis : comme il s'en * a Olynthe, sur la mosaique de la Centauromachie,133un rais-de-coeurs mais aussi en bordure trouve non seulement sur les kymationslesbiquesde l'architecture134 des grands crateresa volutes de Polion, des Peintresde Cadmos, de Pronomos, de Talos;135 * AOlynthe encore, dans l'andr6nde la Villa de la Bonne Fortune,Ala p~riph~riede la mosaique de Dionysos et de la mosaique de seuil aux deux Pans, un anthniondepalmettes innombrablesur les vases; reliespardestigesenS obliques,136 opposees obliques * a Olynthe toujours,surla mosaiqueaux doublessphingesoutl'on retrouvedes palmettes delaurier, opposes dans les angles,'37et sur la mosaiquede la Centauromachie,138un rameau qui appelleraitlui aussi trop de references, ne serait-ce que le cratere de Pronomos deja cite pour le rais-de-coeurs; * a Eretrie, dans la Maison aux mosaiques, en bordure de la mosaique de seuil aux 39 ceux-ci prdsententun et delotus;1 depalmettes circonscrites sphinges et pantheres,un anth/bnion large calice de deux sepales contigus, a base doublement concave, et deux grands petales depalmettes 6vas~s.

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