Gabriel Garcia Marquez: One Hundred Years of Solitude by Michael Wood

By Michael Wood

100 Years of Solitude might be an important landmark of the so-called 'Boom' in modern Latin American fiction. released in 1967, the radical was once an rapid luck, operating to hundreds of thousands of variations, profitable 4 foreign prizes, and being translated into 27 languages. In 1982, its writer acquired the Nobel Prize for Literature. Michael wooden areas the unconventional within the context of contemporary Colombia's violent historical past, and is helping the reader to discover the wealthy and intricate imaginative and prescient of the realm which Garcia Marquez provides in it. shut reference is made to the textual content itself (in English translation), and there's a consultant to extra examining.

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Additional resources for Gabriel Garcia Marquez: One Hundred Years of Solitude (Landmarks of World Literature)

Sample text

The totally forgotten would no longer be 40 O N E H U N D R E D YEARS OF S O L I T U D E forgotten, it would be nothing, it would have entered oblivion, a meaning the Spanish word olvido includes, as we have seen. Macondo is trying to forget history. The galleon and the armour, the Indians, the return of the dead Prudencio Aguilar and the dead Melquiades, are points where the enterprise fortunately fails. The insomnia plague is a figure for the possible and terrible success of the enterprise, for what its success would actually mean.

But the context clearly suggests the measureless understanding which solitude can give, which is the portion, or may be the portion, of those who are truly dedicated to solitude, like the Buendfas. It is not an understanding that many of them reach, but the interesting implication lies in the moral possibility: solitude is a way of losing others and the world, but may also be an austere way of finding them. It was in just this sense that Proust spoke of books as the work of solitude and the children of silence.

The man is still smiling when he is dead, and Jose Arcadio Segundo is sure the body is being buried alive, and takes against the military because of this experience. He later becomes a union leader, and an important figure in the strike against the banana company; the political heir of the Colonel Aureliano Buendia who 'organized thirty-two armed uprisings and . . lost them alP [97: 104]. Jose Arcadio Segundo is a survivor of a massacre of more than 3,000 strikers, a new kind of ghost, as we have seen.

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