Captain Underpants and the Tyrannical Retaliation of the by Dav Pilkey

By Dav Pilkey

Whilst the outstanding Robo-Plunger defeated the evil faster rest room 2000, George and Harold notion their rest room issues have been over. regrettably, their porcelain difficulties have been merely starting . . .

Just for those who idea it used to be secure to flush . . .

The rapid rest room 2000 moves again! The carnivorous commode identified for devouring every thing in its course has equipped up a true urge for food . . . for REVENGE! subscribe to Captain Underpants for an additional epic showdown of Wedgie energy vs. Potty strength as our tighty-whitey-wearing superhero is going TO 11!

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Extra info for Captain Underpants and the Tyrannical Retaliation of the Turbo Toilet 2000 (Captain Underpants, Book 11)

Example text

Use shadows with sharp angles with long faces. Gently curving shadows work well with more typical faces as seen below. 42 e-types have the fewest shadows, with shading solely located at the hair, the nose, and the chin. This works well with clean , cheerful compositions. This combination of e and d shadows can be used to accentuate a particular mood. Forward facing figure using f-type shadows 43 Profile ) a 44 b Expanding the negative space in the direction faced by the figure adds to the effectiveness of e-type shadows.

Backlighting is when the light source is located in back of the subject. Shadow is added to the front of the subject's generating a dramatic mood. Filling in the figure with solid black creates a black silhouette. The key point here is that the eyes were left white. For this figure, tone was attached to the entire face but the eyes, left white. This treatment could be used to suggest flames burning behind the figure or other situations with low lighting. 33 (When to Keep the Face Shadow-Free ) Shadows do not work well on faces when the ima ~:: tiny.

Minimal shadows standard shadow volume 55 Shading the Back Scapula (Shoulder blade) Add shading to the small of the back. Upper left light source 56 e Back of a Jacket figure Upper right light source Special effect: Lower back light source This lighting is suited to dramatic scenes such as scifi related or on the roof of a building. Upper left light source \l ws on sterior Close-ups of a male character's derriere are not common, and shadows are not typically added. 57 The female figure is composed of curves, causing the edges of shadows to curve as well.

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