The image of Edessa by Mark Guscin

By Mark Guscin

A dead ringer for Edessa used to be a picture of Christ, which, in line with culture, was once of outstanding starting place. It was once taken from Edessa to Constantinople in 944, and disappeared from recognized background within the aftermath of the Fourth campaign in 1204. It generated, notwithstanding, an unlimited volume of literature and hundreds and hundreds of copies in church buildings everywhere in the Byzantine global. This e-book is a research of the literature, work, icons and different features concerning clone of Edessa. It examines the way it was once used as a device to precise Christs humanity and for numerous different reasons, and the way the various similar literature grew to become thoroughly decontextualised and used as a paranormal allure, in particular within the West.

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Extra resources for The image of Edessa

Sample text

At night the bishop-Eulalius-had a vision of a well-dressed and adorned woman, better looking than any human being, telling him to get the image of Christ that had not been made 5 by human hands and parade it in a procession, and the Lord would certainly demonstrate his wonders. The bishop answered that he did not even know if the image existed, and if it did whether it was there or anywhere else. The one who had appeared to him in the form of a woman told him that it was hidden away above the city gate in such and such a place, and in such and such a way.

He then took it and read it, and wrote another letter to Abgar, reading verbatim as follows: Jesus' letter to Abgar according to VA B C G I Q U 15 Pr Dii Die MLI Pa Va Es Me Mi' Mil PI Blessed are you, Abgar, for believing in me without having seen me. For it is written about me that those who see me will not believe in me, so that those who have not seen me can believe and live. As for what you wrote to me about coming to you, I have to fulfil everything I was sent 20 here for, and after fulfilling this be taken up to the Father who sent me.

Kai tflS CVTFEOev Qvo*Cvtec CnL(3ovXf;, nQOS taS Cxto; tot T£LXov; pirlxavac trly V X Pa Mi3 i q [ter' avtr15] pieta tavtrl5 V X Pa I xad om. Di2 Pa 5 to *avµaoua avtot] xa! vvv to r*avµaoLa avtot w5 act V X ML2 ML3 Iv Pa Mi3 I ayvociv om. B Me 6 toLavtrl 7 eixuhv] ayia xai OE13aOµia cixcw V X ML2 ML3 Iv Pa om. ML2 ML3 Iv Pa 8 tflg noxew5 om. Pr Va Mi3 yvvaLxckp] yvvaLxkw A B Pa I on om. B Me io ovv] be B 9 anoxexQvntaL] xexQvnte B, anoxexQvntE Me TOOE om. Pr o om. Va I eniaxonoc] add. nrly naoav Mi22 ii EtQEV V 11-12 a&LaXw(3rltov] add.

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