The Severed Head: Capital Visions (European Perspectives) by Julia Kristeva

By Julia Kristeva

Proficient via a provocative exhibition on the Louvre curated by means of the writer, The Severed Head unpacks inventive representations of severed heads from the Paleolithic interval to the current. Surveying work, sculptures, and drawings, Julia Kristeva turns her famed serious eye to a research of the top as image and metaphor, as non secular item and actual truth, extra constructing a serious topic in her work-- the ability of horror--and the potential of the face to supply an event of the sacred.

Kristeva considers the pinnacle as icon, artifact, and locus of notion, looking a keener knowing of the violence and wish that drives us to sever, and from time to time maintain, this sort of powerful item. Her research stretches the entire as far back as 6,000 B.C.E., with humans' early ornament and worship of skulls, and follows with the Medusa fable; the mandylion of Laon (a holy relic during which the face of a saint appears to be like on a bit of cloth); the biblical tale of John the Baptist and his counterpart, Salome; stories of the guillotine; glossy homicide mysteries; or even the rhetoric surrounding the struggle for and opposed to capital punishment. Kristeva translates those "capital visions" in the course of the lens of psychoanalysis, drawing limitless connections among their manifestation and sacred adventure and extremely a lot declaring the potential of the sacred, even in an period of "faceless" interaction.

Reviews:

Through her ask yourself and her doubt Kristeva units forth a compelling account of the sacred and of the intimate visionary potential of the human soul.

(Joshua Paetkau The Ecclesial collage Blog)

The Severed Head is a reminder that artwork could be the simplest instructor, rather whilst the subject is an uncomfortable one.

(Patricia Contino New Pages.com)

This superbly written and richly layered meditation on mortality and illustration will definitely attract these readers drawn to semiotic and psychoanalytically trained readings of art.

(Jonathan Patkowski Library magazine XPress reports)

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Extra resources for The Severed Head: Capital Visions (European Perspectives)

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On the other hand, there has been a strong romantic tradition (symbolised by Lawrence of Arabia) of affiliation with the Arabs in their struggles against the Ottomans. As a result, an Orientalist racialised discourse (Said, 1985[1978]; 1993) has constructed the Arabs as the exotic 'Others', a representation in which cruelty, sensuality, nobleness and sexuality were intertwined. The ambiguity towards 'the Arab' has not simply concerned colour, but also that of the Arabs' 'postcolonial status'. The British actually ruled over many Arab countries, but there was no significant British settlement in the Arab world, which was officially part of the Ottoman empire, until after the First World War.

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