The Boy Who Loved Batman: A Memoir by Michael E. Uslan

By Michael E. Uslan

Is any superhero cooler than Batman? He s a crime-fighting vigilante with a sad prior, a lawless perspective, and a likely never-ending offer of high-tech gadgetry. during this absolutely illustrated memoir, writer Michael Uslan recollects his trip from early adolescence fandom via to the a long time he spent on a caped campaign of his personal: to carry Batman to the silver monitor because the darkish, severe personality he was once at center. Uslan's tale lines his direction from the wilds of latest Jersey to the limelight of Hollywood, following his paintings as govt manufacturer on each Batman movie from Tim Burton s 1989 re-envisioning to 2012's The darkish Knight Rises. via all of it, he helped to create the most profitable popular culture franchises of all time.

Show description

Read or Download The Boy Who Loved Batman: A Memoir PDF

Best comics books

Graphic Novels and Comics in Libraries and Archives: Essays on Readers, Research, History and Cataloging

To assert that photo novels, comics, and other kinds of sequential paintings became a tremendous a part of pop culture and academia will be an enormous understatement. Now a longtime section of library and archive collections around the globe, photograph novels are proving to be one of many final vestiges of the published shape really gaining in attractiveness.

Drawn and Dangerous: Italian Comics of the 1970s and 1980s

Exploring an neglected period of Italian heritage roiled by way of household terrorism, political assassination, and pupil protests, Drawn and hazardous: Italian Comics of the Nineteen Seventies and Eighties shines a brand new gentle on what used to be a dismal decade, yet an without notice prolific and leading edge interval between artists of comics meant for adults.

Blurring the strains among excessive artwork and renowned intake, artists of the Italian comics scene went past passively documenting background and commenced actively shaping it during the production of fictional worlds the place historical past, cultural facts, and pop-realism interacted freely. that includes brutal Stalinist supermen, homosexual area tourists, suburban juvenile delinquents, and scholar activists became tech-savvy saboteurs, those comics eventually published a unstable period extra accurately than any mainstream press.

Italian comics constructed a journalistic, ideology-free, and sardonic procedure in representing the main occasions in their occasions. Drawn and unsafe makes a case for the significance of the grownup comics of the '70s and '80s. in the course of these years comedian construction reached its top in adulthood, complexity, and wealth of cultural references. The comedian artists' analyses of the political and spiritual panorama show clean views on a transformative interval in Italian history.

Marvel's Ant Man: The Junior Novel

The subsequent evolution of the wonder Cinematic Universe brings a founding member of The Avengers to the large reveal for the 1st time with wonder Studios' "Ant-Man. " Armed with the staggering skill to scale back in scale yet elevate in power, grasp thief Scott Lang needs to embody his inner-hero and support his mentor, Dr.

Futurama Comics # 49

Eventually, a comic in accordance with a television convey that does not suck!

Additional resources for The Boy Who Loved Batman: A Memoir

Example text

For ME! 49 M Y feds after the hoopla of Seduction of the Innocent, the Joker was reduced in stature to a bad clown who made jokes when he robbed banks, and was far removed from the original concept and from today’s version of a totally deranged killer. It was that very same engine of creative destruction, the Comics Code Authority, that forced DC to retire from comics for years any Bat-villains who seemed too gruesome or menacing, including Two-Face and the Scarecrow. It also meant the demise of the Catwoman, because she was all the bad things comic book characters were now not allowed to be: a female in a major role; a possessor of no fewer than two exaggerated body parts; a sexy, stacked, bad girl who carried a whip and wore a dress slit up to what my dad would refer to as “her pupic,” suggesting a topic that would give Dr.

I was left with the Cricket! Sounded better than the Cockroach! M Y and cartoon drawings of a daydreaming boy. ). After a while, though, I started writing and drawing my own comic books. I began by doing parodies of my favorite Marvel comics to entertain my friends. The Fantastic Four became the Funny-Farm Four; Daredevil turned into Queerdevil (not that there’s anything wrong with that); Sgt. Fury and his Howling Commandos spawned Sgt. Fooie and his Blithering Idiots; and ShangChi, Master of Kung Fu, became Yuck-Fou, a comment on just how behind the times the comic book portrayals of Asians were circa 1967.

Even leader Ronna Berman in the same way! between the ages of eight and twelve when I was buying, 50 THE B OY WHO LOVED BATMAN M Y collecting, and consuming every single issue of Superman, this did not sit right with me. I pictured in my wildest fantasies having my pretty classmates Maureen Scott and Jeanne Burns trying to cut my hair whenever I wasn’t looking. I mean, ALL the time! Look, I was a very nice boy, but for sure after maybe a year of this, if I were Superman, I’d just turn around and fry them to cinders with my Heat Vision.

Download PDF sample

Rated 4.63 of 5 – based on 40 votes