By Kevin Meehan
All through this publication, Kevin Meehan bargains old and theoretical readings of Caribbean and African American interplay from the 1700s to the current. via studying commute narratives, histories, artistic collaborations, and political exchanges, he strains the advance of African American/Caribbean discussion throughout the lives and works of 4 key contributors: historian Arthur Schomburg, writer/archivist Zora Neale Hurston, poet Jayne Cortez, and politican Jean-Bertrand Aristide. humans prepare examines how those influential figures have reevaluated pop culture, revised the connection among intellectuals and daily humans, and remodeled practices starting from librarianship and anthropology to poetry and broadcast journalism. This discourse, Meehan notes, isn't freed from contradictions, and misunderstandings come up on each side. as well as noting dialogues of team spirit, humans prepare makes a speciality of situations of highbrow elitism, sexim, colour, prejudice, imperialism, nationwide, chauvinism, and other kinds of mutual disdain that proceed to restrict African American and Caribbean team spirit.
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Extra info for People Get Ready: African American and Caribbean Cultural Exchange (Caribbean Studies Series)
Sample text
R. James, Fernando Ortiz, and Elsa Goveia; and creative writing by Jean Rhys and Jamaica Kincaid, Aimé Césaire and Maryse Condé, Nicolás Guillén, and Nancy Morejón provide liberatory models known and studied not just in the Caribbean but around the world. While examples from Caribbean cultural history have typically been prominent in attempts to theorize and enact decolonizing social change, African American culture has less often been viewed as rising from or offering insights about decolonization.
20 Where the plantation, as empire’s leviathan, spews its negations of humanity across the centuries, the counter-plantation contains both negation and productive creativity. Casimir writes: The influence of the peasantry was neither comprehended nor admitted by the established powers and their intellectual elites. Its behaviour was framed and protected by denigrated institutions which in turn it endeavors to shield. Specific norms governed the establishment and the organization of families, land ownership and access to property, the administration of the domestic economy and peasant mutual aid, the development of rural communities (free villages), religion and language.
Nicholas as a naval base and coaling station. S. diplomatic history, and Haitians later acknowledged his support by choosing Douglass as their representative at the 1893 Columbian Exposition in Chicago (despite the fact that African Americans were excluded from the proceedings). During the 1930s, Hurston resided in Haiti as a Guggenheim scholar doing fieldwork research on vodou; Jacob Lawrence inaugurated his famous series format in painting with a set of forty-one captioned canvasses titled The Life of Toussaint L’Ouverture; and Langston Hughes, who lived in Haiti during his own travels through the Caribbean, wrote the moving protest essay “The White Shadows in a Black Land” as well as “The People without Shoes,” the latter of which was subsequently incorporated as a chapter in Hughes’s autobiography, I Wonder as I Wander (26–29).