By Helen Rees Leahy
"Museum our bodies" presents an account of the way museums have staged, prescribed and accommodated a repertoire of physically practices, from their emergence within the eighteenth century to the current day. so long as museums have existed, their viewers were scrutinised, either officially and informally, and their behaviour calibrated as a check in of cognitive receptivity and cultural competence. but there was little sustained theoretical or useful recognition given to the viewers' embodied come across with the museum. In "Museum our bodies" Helen Rees Leahy discusses the politics and perform of customer reports, and the differentiation and exclusion of definite our bodies at the foundation of, for instance, age, gender, academic attainment, ethnicity and incapacity. At a time while museums are greater than ever thinking about dimension, demographic combine and the variety in their audiences, in addition to with the ways that viewers have interaction with and reply to institutional area and content material, this wide-ranging learn of tourists' embodied event of the museum is lengthy late.
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Extra info for Museum Bodies: The Politics and Practices of Visiting and Viewing
Sample text
71 This Connoisseur is just as keen to display his superior technique of viewing, by adjusting his position to achieve a better ‘point of sight’ and by taking notes of his observations. Making a Social Body 39 Entering from the right, a fat woman in an oversized bonnet and accompanied by a young man (who appears to have outgrown his trousers), is immediately recognisable as: Mrs. 72 Notwithstanding her lack of fashion and sophistication, Mrs Roundabout does not strike a particularly incongruous figure in the Great Room: like others, she has come to enjoy herself for the price of the one shilling entrance charge, and she seems to be doing so rather more successfully than either the tired Dandy or the self-conscious Elegante.
At first, the naïve Jerry is taken in by the outspoken judgments of his fellow visitors, and says to Tom: It appears to me that we are surrounded by a host of critics; as I have heard no other remarks, but “What a shocking daub! – a most miserable likeness indeed! – it as coarse as sign-painting,” accompanied by grimaces and shrugs of the shoulders; - contrasted with “The execution is fine! – full of character! 77 However, this stern view of his fellow visitors is quickly dispelled when he and Jerry are joined by the ‘Misses Trifle’ who enchant them both with ‘their trite and elegant remarks on the paintings and various 40 Museum Bodies 6 Robert and George Cruikshank, A Shilling Well Laid Out.
47 Stendhal, Rome, Naples and Florence (trans. Richard N. Coe), London: John Calder, 1959; Gabrieilla Magherini, La Sindrome di Stendhal, Milan: Feltrinelli Editore, 1989. 48 Henry James, The American, London: Penguin Classics (first published 1876–7), 1986, p. 33. This page has been left blank intentionally 1 Making a Social Body In the present times of political excitement, the exacerbation of angry and unsocial feelings might be much softened by the effects which the fine arts had ever produced on the minds of men … The erection of the … [National Gallery] would not only contribute to the cultivation of the arts, but also to the cementing of the bonds between the richer and poorer orders of the state.