By Willie Henderson
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This quantity deals a thrilling new studying of John Ruskin's financial and social feedback, in keeping with contemporary study into rhetoric in economics. Willie Henderson makes use of notions derived from literary feedback, the rhetorical flip in economics and extra traditional methods to historic monetary texts to reevaluate Ruskins fiscal and social feedback. by means of deciding on Ruskin's rhetoric, and by way of studying his paintings via that of Plato, Xenophon, and John Stuart Mill, Willie Henderson finds how Ruskin manipulated an information base. in addition in research of the writings of William clever, John Bates Clark and Alfred Marshall, the writer exhibits that John Ruskin's effect at the cultural importance of economics and on notions of financial healthiness has been huge.
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Additional resources for John Ruskin's Political Economy (Routledge Studies in the History of Economics)
Example text
Page 21 2 WHY READ RUSKIN ON POLITICAL ECONOMY? 1 It is only when the notion of Ruskin’s political economy as fragmented, mistaken and based upon a sentimentalist confusion of analysis with policy, is reviewed and challenged that any independent judgement can be made. The proposition developed in the essays which make up this volume is that Ruskin, in the end, does occupy an economic space which is different from that of Mill. As a matter of logic it should be placed at the end of the book as an exit point, but as a matter of rhetoric (and of economy) it is presented as an entry point.
In the activities of the second part of his life, he wishes readers to see directly, without the distorting lenses of laissezfaire and natural law, the economic, behavioural and material ugliness of unregulated capitalism. The argumentative process, which Hewison has called ‘the argument of the eye’, based upon observation, elaborated by a visual and emotive rhetoric and a vision of alternative worlds, is shared (Hewison 1976). Ruskin claims in the preface to Munera Pulveris that, as a result of his experience of aesthetics, he posesses a special advantage in the study of an ethical economics.
But this is rather too simple a division. Furthermore, divergent thinking, and the diverse interests such thought encourages, is a valid form of thought even if the output is necessarily diverse. Nonetheless, Fors Clavigera dominates and this very opentextured monthly output has as a principal purpose cultural and, hence, social criticism. Indeed, they are possibly heightened in his writing on social criticism. In the activities of the second part of his life, he wishes readers to see directly, without the distorting lenses of laissezfaire and natural law, the economic, behavioural and material ugliness of unregulated capitalism.