By Rosamond S. King
“Outstanding. the most effective examinations of the dissonance among legitimate sexual ideologies and real social and cultural practices i've got had the excitement of reading.”—David William Foster, writer of São Paulo: views at the urban and Cultural Production
“A considerate exploration of ways Caribbean girls and sexual minorities are on the middle of a sexual revolution that refuses containment inside of Euro-American ideas of identification and sexuality. this can be an unheard of sexual revolution, led by way of sexual minorities, remodeling the zone and giving new meanings to what inclusion and liberation glance like.”—Amalia L. Cabezas, writer of Economies of hope: intercourse Tourism in Cuba and the Dominican Republic
In Island Bodies, Rosamond King examines sexualities, violence, and repression within the Caribbean event. interpreting the sexual norms and expectancies portrayed in Caribbean and diaspora literature, song, movie, and pop culture, King skillfully demonstrates what number members contest conventional roles via maneuvering inside and/or attempting to swap their society’s binary gender structures. those transgressions have come to higher symbolize Caribbean tradition than the “official” representations perpetuated through governmental elites and infrequently codified into legislation that strengthen patriarchal, heterosexual stereotypes.
Unique in its breadth in addition to its multilingual and multidisciplinary procedure, Island Bodies addresses homosexuality, interracial relatives, transgender humans, and women’s sexual supplier in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. also, King explores the paradoxical nature of sexuality around the zone: discussing sexuality in public is usually thought of taboo, but the tourism economic climate trades on portraying Caribbean citizens as hypersexualized.
Ultimately King unearths that regardless of the numerous nationwide specificity, differing colonial legacies, and linguistic variety around the islands, there are awesome similarities within the methods Caribglobal cultures try and limit sexuality and within the methods participants discover and transgress these boundaries.
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Additional resources for Island Bodies: Transgressive Sexualities in the Caribbean Imagination
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Cyaan live split. ”44 Harry/Harriet chooses to become Harriet, even at the expense of her relationship with (and some of the financial support of) her wealthy family. The notion that “in this” Jamaican (and by extension the Caribbean) world one must choose between two gender or racial poles is a very important one. It is in all of the texts, though the need to choose is not stated as clearly as it is in No Telephone. S. 45 Interestingly, unconventional genders both provide examples of genders outside of conventional bounds and reveal the myth of conventional genders.
I am different! You can trust me, and I am showing you that you are the one person I will trust,”17 Once, when he approaches Mala at her home, Otoh wears a dress for the first time in his adult life out of a desire to reveal his secrets, himself, to this woman. On his next attempt to see her, he arrives dressed as his father and sets off the chain of events that leads to Mala’s arrival at the home. Later, Tyler and Otoh’s deliverance of Mala, which saves her from mistreatment, is revealed as inadvertently also benefiting themselves.
23 No harm. Our people kind of narrow, poor souls. Foolish sometimes. ”24 As in Cereus Blooms, the trans character and the protagonist in Cliff ’s novel are emotionally linked. However, in No Telephone, Harriet functions as an older, wiser sister who teaches Clare about the socioeconomic realities of their country and who helps her to come to terms with her mixed-race identity. Clare stumbles around the world, sometimes passing for white, sometimes embracing her blackness. All the while, Harry/Harriet writes to her, imploring her to return to Jamaica and fight for justice there.