Georg Simmel (Key Sociologists) by David Frisby

By David Frisby

Until eventually lately little of Simmel's paintings used to be on hand in translation and sure key texts have been unknown open air Germany. David Frisby, the eminent Simmel pupil, presents not just an creation to the key sociological writings of this crucial determine, but in addition a controversy for a reconsideration of his paintings. the writer outlines the cultural and historic context during which Simmel labored; experiences Simmel's most crucial writings; and examines his legacy to sociology by way of illuminating his hyperlinks with Weber's theories and his influential courting with Marxism. Simmel, a critical determine within the improvement of contemporary sociology, and a latest of Weber and Durkheim, used to be one of many first to spot sociology as a separate self-discipline. His rules prompted Weber, the Chicago university, and plenty of later sociologists. His creation of a few simple techniques to sociology, resembling trade, interplay and differentiation, attest to his highbrow stature and the far-reaching importance of his paintings.

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Everyone who knows his Einleitung in die Moralwissenschaften will guess that in his lectures on ethics he introduces and suggests many sociological ideas and points of view. Besides this he conducts a seminar for sociological practice. Here reports are made on sociological books and independent dissertations are read. Simmel himself usually conducts the discussions. This is for the moment very agreeable to the listeners, but it is pedagogically by no means advantageous. [2] A few years later in 1899, Simmel himself declared to Bouglé that his ‘sociology is a very specialised discipline, for whom there is no representative in Germany apart from myself.

In turn, for individuals metropolitans experience is also associated with movement, with new experiences of social spaces and the plurality and speed of contact with others. The changes in experience and perception in the modern metropolis stem, in part, from the fact that the observer/spectator is also in motion, as are the images of things, streetscapes and exhibitions. With respect to the latter, it should not be forgotten that the context for Simmel’s essay on the metropolis was its origin as a lecture, one of a series on the metropolis, given in February 1903 prior to the opening of the first German Municipal Exhibition in Dresden, devoted to displaying features of the modern German city.

408. Cited in English in Simmel and Since,p. 75. Simmel, Das Problem der historischen Zeit, Berlin, Reuther & Reichard (1916). Wolff, The Sociology of Georg Simmel , pp. 87–99. Frisby, Georg Simmel. Critical Assessments, Section 7. Helle (editor), Georg Simmel, Essays on Religion, New Haven, Yale University Press (1997). Simmel, ‘On the Sociology of the Family’, Theory, Culture & Society, Volume 15, nos. 3–4, 1998, pp. 283–93. xl GEORG SIMMEL [35] Simmel on Culture, pp. 109–120. Wolff (editor), Georg Simmel 1858–1918, Columbus, Ohio, Ohio State University Press (1958), pp.

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