By JACQUES CHAGALL MARC; LASSAIGNE
Chagall Unpublished Drawings.
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1919. To Those lA'ho Departed before their Ir)k. ^Wrf' rir « ' The Yard. 1921. Ink. flu 49 /'^agall's stay in Berlin (1922-1923) after leaving Russia good was marked by his first experiments with the techniques of engraving. The publisher Paul Cassirer, who for wanted an book of personal recollections Chagall had written, put him in to bring out illustrated edition of the touch with the engraver H. Struck. He now produced a short series of scenes evoking his childhood and youth, and these were published under the title at lithography.
But Lilliputian own way, without slightly aslant, reserve. In the center of the composition, is the little outhouse in seat hole and the overturned figure, with tell their own story. huddled around A barely On the garden. its The trousers down, the right the farm animals are their feed. legible inscription and some scattered stippling create a cloud effect around these quite unequivocal indications. have an filigree The rich blacks of figure, extraordinary touches all velvetiness, house and animals enhanced by the around them.
The White Goat. 1914. Indian Ink. 43 "This astonishing figure of a his to man floating head on upside down, appears be drawn or painted to in nnid-air, be one of the with first Russia which, outside the por- in trayals ot his family circle, revert to the imaginative, often rapturous handling of the inaugurated Paris in in human figure which he had the large paintings of 1911-1914, with their disjointed, airborne bodies and that deliberate reshuffling of their parts different which conveys so mysterious a suggestive power.